Capture & KeepMemories, beautifully kept

A life story, in their own words

Kings had chroniclers. Your family has Amanda.

Amanda records conversations about a life and writes them into a book the family keeps. Not ancestry research.

Every story is worth keeping, before it is lost.

Amanda sits down with someone you love, records relaxed conversations about the life they have lived, and writes it into a book the family keeps, in their own voice.

Lives within living memory, told by the person who lived them. This is not family-tree or ancestry research.

From £250. Nothing happens until you are sure.

An illuminated miniature: an older woman in a wing armchair tells a story with one hand raised while a younger woman leans in to listen, tea and a small recorder on the table between them.
Frontispiece. The telling, where every one of these books begins. Drawn for this concept; not real people.
The Kalendar of an ordinary life

Ordinary lives, given the treatment history kept for kings.

Nearly every person I speak to begins by telling me that there is nothing to tell. Not one of them has been right yet.

Amanda

A fourteenth-century marginal painting of two men in tunics threshing a sheaf of corn with flails.
The real thing: two men threshing a sheaf, lower margin of the Luttrell Psalter, Lincolnshire, about 1325 to 1340. British Library Add MS 42130, f.74v. Public domain (CC0), British Library via Wikimedia Commons.

Seven hundred years ago a Lincolnshire lord paid for a great illuminated book. Its painters filled the bottom of the pages with the people who worked his land: threshing, ploughing, cooking, carrying. Nobody wrote their names down, but you can still see exactly how they stood.

The same honour, for the lives people remember now: wash day, the first job, the bicycle, Saturday night.

A woman in a headscarf and pinny reaches up to peg a sheet on the line, a basket of washing at her feet and a robin on the post.
Leaf I · Monday

Wash day

“What did your mother do all day?”

The question that opens it, from Amanda’s hundred questions.

Drawn for this concept in the manner of the Luttrell Psalter margins. Illustrative, not a real person.

A lad in a flat cap and brown work coat sweeps metal shavings across a factory floor beside a workbench and vice.
Leaf II · Sixteen

The first job

“What was your first job, and what did it pay?”

The question that opens it, from Amanda’s hundred questions.

The broom is pushed the way the old book’s threshers swing their flails. Illustrative, not a real person.

A man in a flat cap and jacket cycles to work with a saddlebag and trouser clips.
Leaf III · Every morning

Getting about

“What did you drive, or how did you get about?”

The question that opens it, from Amanda’s hundred questions.

Drawn for this concept. Illustrative, not a real person.

A couple dancing: he in a dark suit raises her hand as she turns in a full red polka-dot skirt.
Leaf IV · Saturday

Saturday night

“What did you do on a Saturday night?”

The question that opens it, from Amanda’s hundred questions.

Drawn for this concept. Illustrative, not real people.

A young mother in a red coat and green hat pushes a big navy coachbuilt pram with the hood up.
Leaf V · A spring morning

A new arrival

“What do you remember about the day I was born?”

The question that opens it, from Amanda’s hundred questions.

Drawn for this concept. Illustrative, not a real person.

At the seaside a man with a knotted handkerchief on his head dozes in a striped deckchair while a child digs beside a bucket.
Leaf VI · The first fortnight in August

The holiday

“Where did you go on holiday, and how did you get there?”

The question that opens it, from Amanda’s hundred questions.

Drawn for this concept. Illustrative, not real people.

The frontispiece again: the older woman telling, the younger woman listening, the recorder on the table.
Leaf VII · Now

The telling

“Is there anything you would like to say, while this is recording?”

The last of Amanda’s hundred questions. Every leaf before this one comes out of an afternoon like this.

Drawn for this concept. Not real people.

The questions are free: read all hundred.

How it works

There is no interview to prepare for.

Amanda handles the whole process, gently, from the first phone call to the moment it is yours to keep.

The first

We talk

Amanda spends time with you over a series of relaxed, recorded conversations, at their pace and in their own chair. Nothing has to be ready in advance, and the things that come back a week later go in too.

There is no fixed number of sessions. It depends on the person and the story, and is agreed together on a call.

The second

Amanda writes

She shapes those conversations into a properly written life story, keeping the person’s own voice throughout.

Amanda records every conversation herself and writes every story herself. You see a full draft before anything is printed.

The third

Your book is made

The finished story becomes exactly what you want to keep: a professionally produced hardback, the original recordings, or a digital copy.

Which of those you have is worked out with you. Amanda agrees the shape on the first call, and the price follows from it.

How it works, in full

The contents

Which of these is you?

Most people come to this for one of three reasons. The notes in the margin are the moments that usually bring them.

Chapter the first

A gift, for an occasion

For an occasion already circled. A landmark birthday, an anniversary, a retirement after forty years, or a grandchild who has just arrived.

See gift options ›
  • His 80th is in a few weeks
  • Their ruby or golden anniversary
  • Retiring after a working life
  • A new grandchild, and a story for them to grow into
Chapter the second

While there is still time

Because something has changed. A parent growing more frail, a diagnosis that has shortened the timeline, or memory beginning to fade.

See what is possible ›
  • A parent or grandparent, ageing now
  • A diagnosis has changed things
  • Memory beginning to change
  • They are moving into care
Chapter the third

After they have gone

Piecing it together from what is left. For the story that was not written down in time, built from letters, photographs and the people who remember them.

See how this can still work ›
  • Letters, photos and fragments, woven into one book
  • What family and friends remember, gathered properly
  • A book to mark the anniversary of a loss
  • The questions you wish you had asked

Your own story. Want to tell your own story instead, in your own words? This is for you too. Telling your own story

Free, the questions and guides. Plenty of families do this themselves, and they should. The hundred questions, the recording guide, what to do with a box of photographs or an unfinished journal: it is all here, it costs nothing, and none of it needs Amanda. Read the hundred questions

A drawing of a cloth-bound hardback in deep green with gold blocking: a border of ivy, the quatrefoil mark, and the words A life, in their own words. A Life in their own words CAPTURE & KEEP

Drawn for this concept. The shape of your book is agreed with Amanda.

What you end up with

A real book, made properly.

Not a printout in a ring binder. Something that sits on a shelf for fifty years and gets handed down.

What it reads like · from a sample passage

I started on the factory floor at sixteen, sweeping metal shavings for four pounds a week, and thirty-eight years later they gave me a clock and a cup of tea in the same building. In between there was a wife, three children, a strike I still have opinions about, and more good men than bad ones. Nobody had ever asked me to say any of that out loud before, let alone write it down.

Written to show the style. Not a real client. Read all three passages

What it can include. A professionally produced hardback, the edited recordings so you keep the voice as well as the words, a digital copy, and extra copies for the family from £95 each.

Amanda Yaffe-Parker
Amanda Yaffe-ParkerColchester, Essex
The chronicler

The person who sits with you, and does the writing.

Amanda studied psychology, trained as a Samaritans listener and spent years as a volunteer befriender to older men and women. That is why this leans where it does: towards conversations with older relatives, memories that do not arrive neatly or in order, and the stories sitting behind a family tree.

Before this she spent fifteen years managing projects in UK advertising and marketing agencies. It is not a company with staff. It is Amanda, a recorder and a lot of hours at a desk.

  • Samaritans trained listener
  • Volunteer befriender to older people
  • 15 years managing projects in UK agencies
Meet Amanda
The terms, set out plainly

From £250. Nothing happens until you are sure.

No hourly rates, and nothing added later. What you end up with is worked out with you on the call, not fixed in a package.

The Life Story

From £250

Amanda conducts every conversation herself, from the first call to the finished book. The exact price depends on the number of sessions, worked out together on a call.

Talk to Amanda ›

Bespoke

Priced on a call

For a project that needs something beyond the usual shape.

About bespoke ›

The Memory Kit Coming soon

£30

Answer a set of questions together, in your own time, then send the recording to Amanda. Not yet available.

About the Memory Kit ›
  • You see a full draft before anything is printed.
  • Amanda records every conversation herself and writes every story herself.
  • Extra printed copies are from £95 each.
  • Gift vouchers have no fixed price; tell Amanda what you have in mind.
  • Most families share the cost between them. Say how many of you there are.
  • Nothing is bought on this website. Everything starts with a message.

See full pricing ›

Before you begin

The questions people actually ask.

What if they do not want to talk?
Nothing gets recorded until they have agreed to it. The first conversation is about whether this feels right at all, and if they would rather there were no recorder in the room for it, there will not be. Most people who are reluctant at the start are glad of it later on.
What if there is not much time?
The Memory Kit is built for exactly this, but it isn’t quite ready yet. If time is genuinely short, please just message Amanda directly.
What happens to the recordings?
They stay between Amanda and you, and nothing is shared beyond what goes into the book. Whether the edited recordings come to you as well is something you agree with her at the start.
Here this page ends, and their story begins

Let’s keep their story, together.

Tell Amanda a little about who the story is for. There is no obligation, no pressure, and no salesperson at the end of it. Only her.

WhatsApp 07843 171332. If time is short, message Amanda; she will reply as soon as she can.